Saying good-bye to Mosaic Classes

I’ve decided, this year, to say good-bye to giving Mosaic classes. It’s been a hard decision, and I must admit I dithered over it for a while. First, it was because of the Pandemic, since my classes were in a very small home studio. But, then, I also started to realize that, although I’ve thoroughly enjoyed teaching mosaics to so many students since 2002, I was moving on myself, to other art forms, that I wanted to explore like collage and also painting, that I really wanted to get back to. And to that end, I’ve been having a great time exploring collage, gel printing and have also accumulated an impressive hoard of canvases. You would be amazed at the number of new canvases, still wrapped, you can find at Thrift stores! I haven’t given up making mosaics, though, and still have a stash of dishes for future projects. My poor little studio is heaving with all the types of art I like to engage in.

I do still get lots of inquiries about classes and I wish I could direct those people to an alternative instructor, but I really don’t know any other instructors personally. Although, if you are interested in learning to make Pique Assiette Mosaics, that shouldn’t stop you from searching for and finding another instructor. Or even teaching yourself, from the many how to videos online or as we did, from researching books on the subject in the library. Although Will and I had an education in art, we basically taught ourselves Mosaic. As I always like to say to my students, over the last 20 years, it’s pretty easy to do, a low tech art form and it really fits in with the idea of Slow Art. I’ve left a gallery of just a little sampling of the many students, over the years, on the Mosaic Class page.

Will and I are planning some changes to this website starting right after Christmas. More and better galleries of all of our art work, will be a first priority. So lots to look forward to. And now to finish getting ready for the Holidays…

I’ll end this post with a little visual of a couple of my past students. It’s been a lot of fun and I’ve enjoyed every minute!

Student Irina, cleaning grout, summerhouseart.com
Student Irina cleaning grout for a lovely finished mirror
Student Jane, cleaning grout on her mosaic, summerhouseart.com
Student Jane, cleaning grout on her mosaic, summerhouseart.com

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New Mosaic Class hours now available!

Student Jude, with her lovely mosaic mirror, summerhouseart.com
Student Jude, with her lovely mosaic mirror, summerhouseart.com

 

Usually, when I offer my Fall/Winter classes, I’ve had to limit my available hours to weekday mornings.   I’m happy to announce that due to some changes I’m able to offer more choices.  So you can now  book a weekly class either in the morning from 10am-12:30, or an afternoon from 1:30-4pm or an evening class from 6:30-9pm.   Just call or email to see if the time and week day you’d like  is available, and we’ll go from there.

The class would be 2.5 hours per week over 4 weeks.  Lots of time, lots of one on one instruction and a chance to create a project of your own design, something unique to you.  Have a look at my Mosaic Class page and also the FAQ page for all the details.

Student Jane, cleaning grout on her mosaic, summerhouseart.com
Student Jane, cleaning grout on her mosaic, summerhouseart.com
Student Irina, cleaning grout, summerhouseart.com
Student Irina cleaning grout for a lovely finished mirror
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A Foray into Fabric Design

A while ago I created a mosaic from broken dishes, in a few of my favourite colours and patterns, all the pieces were Triangles.

Mosaic in Broken Dishes, Helen Bushell, summerhouseart.com

Now we are a couple who do NOT just sit around doing only things we already know how to do.  Oh no!  We sit around in front of youtube and watch tutorials on things like creating seamless patterns for fabric design.  And eventually we’ll manage to make a lot of designs, because it’s kind of fun.  Zazzle, which is a great Print on Demand company, happen to have fabric by the yard in Print on Demand.

So, after much work and learning, we created a seamless pattern based on the above mosaic.  We are rather pleased with the result. We called it Triangle Treat.  We’re offering it by the yard, in Combed Cotton, and you can also order Swatches and Fat Quarters of it for the Quilters.

Triangle Treat fabric, close up, Zazzle, Summerhouse Art
Triangle Treat fabric, close up, Zazzle, Summerhouse Art

Triangle Treat Fabric, on Zazzle, SummerhouseArt

BTW, it’s really worth it to check out Zazzle and get on their email list because they are constantly having sales. Check out a little sample of what we have on Zazzle in our Zazzle shop page, where you can click directly to the shop itself.

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Two Mosaic Studies Created With Broken Dishes

 Studies are like sketches or perhaps experiments. I quite like the idea of doing studies, just to see where an idea will lead, curious to see what it will look like when done.

Just working on small 6 inch by 6 inch pieces of wood as a base for the mosaic studies, I went through my many many containers of dish bits and put together a small set of colors and textures that appealed to me. The first piece was made using bits of dishes that I’d cut into only rectangular or squarish bits. The pieces aren’t exact or tidy rectangles or squares like you’d get with normal mosaics, but the uneven, variances that you get when cutting up dishes which I think adds to the surface interest.

I arranged them in an intuitive order, balancing the colors and textures as I went.

Mosaic in Broken Dishes, Helen Bushell, summerhouseart.com

Then, looking at my work table, I realized I had quite a few triangular pieces scattered about and decided that, as my next study, I would use only triangular bits of the same dishes. An entirely different composition but still fun to look at.

Mosaic in Broken Dishes, Helen Bushell, summerhouseart.com

Looking at them now, I’m quite enjoying them and seeing many possibilities as well. We’ve become interested in surface design in the last few years and Will and I have been having a bit of fun teaching ourselves how to make repeat patterns. And we’ve also been applying our work to all sorts of other products from prints to pillows on our various online Print on Demand shops like Society 6 and Red Bubble. Looking at these studies, I can see some fabric design ideas, prints and other possibilities. It’s a whole new avenue to explore. Watch this space to see what we make with these…..much more to come.

(BTW, if you’d like to make a comment, just click on the title.  It’ll take you to comments….and we do appreciate comments )

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The Lucky Finds of a Dish and a Fish

Mosaic Student Dianne's mosaic dish, summerhouseart.com

This very beautiful mosaic is the work of my Student Dianne. As the title of this post suggests, it’s the result of a couple of lucky finds; a lovely pewter dish and a dish sporting a fish.

In my mosaic classes, I teach a type of mosaic called Pique Assiette, which is making mosaics with broken dishes. On the first class, after I’ve totally overwhelmed someone ( in a good way of course ) with all the mosaic possibilities, given them a very brief taste of how dishes break, and what to look for, we set off to Thrift stores to shop. And that’s when the fun begins. First, it’s all about looking for dishes and colors that spark something for you. Then second, it’s all about luck and finding something that makes it all happen. Dianne was very lucky. On the shopping class she found the very unusual pewter dish. The design on the edge was fantastic and we both agreed that the dish itself would make a great place for a mosaic. Then, during the week, she was lucky again and snapped up a dish with a crackle design surrounding a fish.

The first class was a time of trying out all sorts of ideas. From creating a totally abstract design, without the fish and then finding a way to incorporate the fish at the edge of the plate and working all the other colors and textures around it.

A lot of designing is just about trying things out. Laying out pieces and looking and wondering. You have to follow your instinct. And sometimes, I’ve even taken up pieces I’ve glued down and started over. When Dianne returned the following week, the first thing she said was that she was glad I’d told her about removing pieces and starting over even after gluing them down. Because she’d done a lot of that. I could totally understand her progress since it is much like mine. I’m slow and thoughtful and I just keep rearranging until it “feels” right. So it was great to have a student who gets that idea. And as you can see, all that rearranging and listening to whether it “felt” right had a wonderful result.

The last week, we grouted and again were lucky as I’d just tested a grout called silver and it was perfect to pull together the silver of the dish with the mosaic itself. Here it is ungrouted.

Mosaic Student Dianne's mosaic dish, ungrouted, summerhouseart.com

And here is a pretty happy Dianne with her lovely mosaic…

Mosaic Student Dianne with the finished mosaic dish, summerhouseart.com

 

I happen to know that Dianne is already planning another mosaic and I can’t wait to see what she does next.

(BTW if you’d like to comment, and we do appreciate comments, please just click on the title to bring up the post with a spot for comments at the bottom.)

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A New Direction: Creating Small Mosaic Studies

Floral mosaic study, Helen Bushell, summerhouseart.com

 Lately all you hear is declutter, declutter, throw out, lighten your load, etc, ad nauseam. Recently, I even saw a book that claimed your health would improve by throwing things out. It’s the latest trend.

Well, I happen to be one of those people who hardly ever throws things away. You may think you are throwing something out but it has to go somewhere, like the garbage dump, if it can’t be recycled. As they say, there really is no “away”. We do, however, recycle a lot. In fact, we hardly ever have any garbage for the garbage people to pick up.

I make Pique Assiette mosaics, which means, creating mosaic surfaces from broken dishes. So, essentially, I’ve been making art from all those dishes that others got rid of. I suppose I really should be thankful for all those people who donated all that “clutter” to thrift stores.

Over the years of making mosaics, I’ve accumulated quite a lot of leftover bits and pieces that didn’t make it into the latest mosaic. It’s not clutter. It’s all sorted by color and pattern and stored in recycled salad containers. As I say, there is a lot of it. I just can’t throw it all out. I always have a feeling that someday I might need a certain color or pattern. Of course, whenever I can, my students benefit from my stash of broken bits should they need some color or maybe a floral pattern to augment their pieces.

Which brings me to this latest little mosaic at the top of the post. Looking at all my lovely stash of bits and pieces, I’ve decided to start creating small mosaics. This one is just 6 inches by 6 inches. For the time being I’m planning to make little studies, putting together all those small and precious bits I’ve been saving. It’ll be a nice change from the larger projects I’ve done before. Who knows where it will end? Or how many I’ll make or if maybe I’ll have a show of small mosaics somewhere or maybe post them on our Etsy shop.

This little mosaic, with it’s floral design, will be a gift for a niece’s wedding. Something small and I hope, precious, that she can enjoy in her new home.

Floral mosaic study, Helen Bushell, summerhouseart.com

(BTW if you’d like to comment, and we do appreciate comments, please just click on the title to bring up the post with a spot for comments at the bottom.)

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An Experiment in Too Many Stripes

Stripe mosaic, by Helen Bushell, summerhouseart.com

 I do have sort of a weakness for the black and white stripes. I like to add just touch of stripes here and there, in a lot of artworks. They just jazz up a pattern or surface.  We make a type of mosaic called Pique Assiette, made with broken dishes. So you can imagine how excited I got on spying a whole stack of dishes with black and white stripes in the thrift store. But, believe it or not, I actually left them behind, on the shelf, when on a dish buying trip with mosaic students.

In the end, of course, I just couldn’t resist. I did get exceptionally lucky when I went back on the seniors discount day and found them still there and promptly snapped them up and also got 30% off! Always nice to get a discount, you know.

So now I had this huge stash of black and white stripes to work with. It occurred to me that instead of using them for just an accent here and there, that I could go mad and also have some fun experimenting with using way too many black and white stripes, just to see what would happen…. especially with a few other dishes to take it right over the top! That’s me, just an artistic rebel, ha, ha.

I’d started with just the stripes, the black and white with a “river” of colorful stripes and it just needed something. Which was when I noticed I did just happen to have a few of these bits of cups with black and white bulls eye on them.

Choice of dishes for mosaic, summerhouseart.com

Finally, almost done with the tedious breaking, gluing and fitting. You’ll have to excuse the glue everywhere.  There’s just no way to avoid that messy gluey stage.

mosaic, pre grout, by Helen Bushell, summerhouseart.com

And now a new decision to make.  What color grout?  And here Will came to the rescue, by Photoshopping a few choices.

Grout color test, summerhouseart.com

Since I was already over the top, I did consider really colorful grout. Then black too, but I decided that the uneven black paired with the very straight black on the dishes just wouldn’t work. In the end, I came to the conclusion that the pale grey set off all the pieces and that I really couldn’t/shouldn’t push the composition any more than I already had.

Here it is again, Finished!

Stripe mosaic, by Helen Bushell, summerhouseart.com

And a side view too. 

Striped mosaic, by Helen Bushell, summerhouseart.com

I’m quite happy with it, oddly. I know it’s over the top, too much pattern, eye popping, on the verge of looking like camouflage, but it has a nice sense of fun to it. The size, by the way, is 8 in x 8 in.  Still haven’t come up with a title….

Oh, Will just came up with a perfect title…..”One, Two, Many”

(BTW if you’d like to comment, and we do like comments, please just click on the title to bring up the post with a spot for comments at the bottom.)

 

 

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A Deceptively Delicate Floral Patchwork Mosaic

Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

There is, to me, a visual connection between pique assiette mosaic and patchwork quilting. In fact, one thing I’ve noticed with many of my mosaic students, was that those who had previously worked with fabric patchwork, had no trouble at all visualizing a patchwork of patterns with broken dishes. They instinctively reached for dishes in the Thrift shop, that though very different in pattern, had a thread of color or style that could easily work together.

This little mosaic is only 8 inches by 8 inches. Before I started it I had been looking at fabric patchwork and as a change from my last much more abstract piece, I decided to use up a few of the floral designs I’d been collecting.

from Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

As I was working, arranging bits of dishes and deciding on the patterns and colors,

from Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

it occurred to me to introduce a bit of surface relief with lids, a bit roundness to contrast the square format of the mosaic.

I happen to have a rather nice collection of orphaned lids and was spoiled for choice. I left spaces for the lids as I went along,

 from Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

but glued them down before grouting.

Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

As I work in my studio, I like to play all sorts of music and I found that I seemed to be listening to a lot of music by women. Which got me thinking about quilts made by women and how floral patterns are so often associated as being feminine.

Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

And it occurred to me as I worked away, cutting and gluing, sometimes singing along, and sometimes pondering, that quilts, fabric, flowers and women are often associated with being delicate and only beautiful. But women know that that look of delicacy may be very deceptive. Women, far from being the “delicate sex”, have a strength of their own, often shown by their nurturing skills. And fabric quilts, while beautiful and fragile looking are often made in hard times, and still survive  for many years, a bit frayed but still strong and warm.

from Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

Flowers too, while being delicate and having a short life, are sometimes the crowning glory of robust plants that have pushed up through hard soil and even the cracks in cement! OK, I suppose, I was having one of those feminist moments.

But, as I broke dishes and reassembled the pieces into other patterns, I also thought of the strong women in my life that have dealt with and are dealing with breast cancer, and just how strong you have to be to come through that challenge.

At any rate, back to my little mosaic. It is a mixture of delicate flowers and even delicate china, as in that fragile golden cup handle that just felt right attached to the side. It is probably the most “feminine” looking mosaic I’ve done for a long time, and I love it.

Floral Patchwork mosaic, Helen Bushell, summerhouseart.com

 

 

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The Little Mosaic Table That Caused Happy Giggling

I just love having students that just can’t wait to start making mosaics. All that enthusiasm just makes the classes all the more fun. And I also don’t mind when a student says they have never done anything creative ever before. Because I know that making a mosaic is a great way to discover your creative side. Bonnie fit both of those categories.
The mosaic classes were a gift to herself in a time of lots of personal responsibilities and often stress with elderly family and other things. It was to be a chance to just have some fun and learn something new. I assured her that the meditative aspect of making a mosaic is just what you need when life is stressful.

Student Bonnie with Helen Bushell, mosaic class at Summerhouse Art
The first class is always me overwhelming the student with all the possibilities of what they can choose to do. The more possibilities I showed her, the more Bonnie just got more excited to start. So off we went shopping and at the Sally Ann Thrift Store, as we like to call it, we found a perfect little table. And, since I always encourage everyone to only buy things that really spark for them, Bonnie found lots of really colorful dishes to break. The next two classes were lots of fun. Bonnie is a really cheerful person and also an excellent student. She picked up quickly on every little bit of instruction I gave, from creating texture and movement, to learning how to cut dishes up and how to make the pieces fit.
The last class is the grouting class. And by that time, Bonnie had made the decision to paint the table bright yellow, (it had been a rather unhappy brown), to play off all the color in the dishes on the table top. I loved her choice.
To make sure her little table looked finished she decided to paint it the week before the grouting. I’m so glad she did! It made all the work of grouting well worth it. And yes that is us using old toothbrushes to clean each of the pieces. That’s the beauty of pique assiette, you get to do a lot of recycling.

So here it is! We decided to take its picture out in the garden in the sunshine. Mosaic always looks so wonderful in the sun! And, as for Bonnie being worried about never having done anything creative before? Well, with her enthusiasm and hard work, she had surpassed that goal. She’d created her first piece and it looked good! I know she’s discovered her creative side and I’m sure she’s a natural at making mosaics. When I emailed her all the photos we took of the classes, I told her again how much we  loved how the table turned out. She wrote right back and said, “ I just love the table too. Every time I walk by it I just giggle happily.” Can’t ask for more than that!

Student Bonnie's Mosaic Table, Summerhouse Art mosaic classes
Student Bonnie’s Mosaic Table, mosaic classes, summerhouseart.com

 

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“Blue Fandango”, The Mosaic

Thought I’d finally feature another of Will’s mosaics. This one is totally different from the first piece I featured a while ago, the one that we refer to as the “Green River” mosaic.

Will started this piece spontaneously, without a real plan. And really, that is often a wonderful way to start, open to possibilities and surprises, cutting dishes and fitting pieces intuitively.

He began with the small blue arc and from there created the larger blue wave-like arc. All of the mosaic bits and pieces are made of plates, and the blues are a mixture of various blue plates, patterned and textured. It’s a mosaic style that we both work in, called Pique Assiette, which basically refers to a style of mosaic created from dishes.

Blue Fandango Mosaic

The arcs in place, he then decided on filling in the space with various whites, culled from different plate centers and even parts of the makers logos printed on the underside.

Blue Fandango Mosaic

At this point it becomes more of an intuitive exercise, mixing the textures and the varying white shades, creating visual interest. The little rows of black and white squares arc off the main blue arcs. And then to lead the eye and give the whole composition another element, pops of color were included in the white areas.

On the whole, the piece has, for me, endless fascination. The name was spontaneous too, coming to him as he surveyed the finished piece. He titled it “ Blue Fandango”, and it does suit, I think.   It also was made to be both table top and a wall piece.

Blue Fandango Table

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